I am getting the contra tiempo (counter time) in a new way, a way that seems magic. For the last two days most of my lessons have been on contra tiempo and at last I am feeling as if there is an elastic ball between my hands that will do either the counter or the basic while my hands clap the opposite. And when I do it with my feet I feel a little bounce of my knee, of my foot springing up, when my step is in counter time. I am stepping between the beats as a child steps between the cracks on the pavement or over the stones in hopscotch. There is a playful feeling as I begin to play with the music. This, counter time, is an underlying concept in Flamenco but it is hard to convey and hard to get. It is counter time with specific accents that go with the music. It is strong and sure and never tentative or faltering, as I have tended to be. I feel as if I have entered another world, another sphere of reality where I can feel the energy and move the energy more and more easily. I have written of this moving the energy before, over the years, but now I am learning a way to access it and harness it so that I call it in almost every time I dance instead of at rare, wonderful moments that I cannot control. Of course, there will always be rare, wonderful moments, but now they will be at a more advanced level for me. Our plan for when we return to Spain next year, or next spring if Freddie and I can make it, is to work on counter time and my foot work and not learn more choreographies just yet. Then the next time I come after that, we will work on upper body and arms. I am also trying to work on strength and assurance in my dance and the contrast between the strength and the softness that colors Flamenco.
I had a good class today and was able to get the contra time in a swing, learning to switch from one counter time step to another, at will, continuing to feel the feel of it, to keep the communication between the palmero and my feet, the twin bounce of alternating time, the play with the rhythm. I am learning to do the same with the guitar and Freddie is learning not to slow down and carry me when I fall off the beat but to keep the rhythm constant so I can climb back on. The guitarist is supposed to follow the dancer like Freddie is following me, but not when we are just working on it, because I need to learn when I am slowing down the compass. And I am learning and correcting this. The dance is magic and I feel privileged to be able to join it. Yesterday I had an hour and a half class from Concha that was almost all counter time and I struggled and just barely was able to get what she showed me. We also did palmas and I found that I had a harder time doing the basic than the contra, but now I can do the basic too. So all the hard work has paid off because today the contra just happened without my having to struggle and push. It is amazing and I am totally thrilled. We are working on both palmas and feet with the counter time and I am getting it, finally !
I have been dancing Buleras again with Carlos group, but I still feel in between stages and steps and ways of thinking so I am not that happy with what I am doing. Enriques singing is different from Conchas. So is Inmas. And the music goes much faster than I am used to, with a modern, pushing beat. So it feels very different from dancing to Conchas laid back but strong and energetic heavily accented bulerias from Lebrija. Freddie says I am much better in class! But my form at least looks better and the video Freddie took last night and the night before looks better than it felt to me. In class today we did contra tiempo for an hour and a half. I love it. I am going to miss Concha so much. We have so much fun together and I am learning so much, things I have always wanted to learn and didnt know how to learn. Concha has a true gift for teaching and this gift is developing like the most beautiful fireworks, which just when you think they are perfect, they burst into something even better. Conchas teaching is like this. She says that now I am ready to understand more, than I can understand. It is so exciting. I know that I will take all this in while we are in California, that I will integrate what I have learned in these two months into my dance, that I will learn it and deepen it and practice it to make it stronger and perhaps faster. I will work on my posture and my style. I will work on my contra tiempo and my accents. I will work on practicing and mastering the steps and footwork I have been given as well as retaining and polishing the beautiful Alegras, Siguiriyas, Buleras and Tango I have learned in the last year and a half from Concha.
I miss Concha a lot, but I cant call her because she is in New York. When you work with someone that intimately every day you either love them or you cant stand them. I love Concha and could easily work with her two more months at that pace, if my thighs would hold out. So Freddie and I plunge into our American lives again, here in our Paradiso on top of this hill in Soquel. We have tapes and photos to send to Spain, when we copy them. We have letters to write. And we have memories living inside us, in our hearts, in our souls, in our bodies. And the pulse of Flamenco continues inside us, carrying us on through this next stage of our lives.
Flamenco Romántico
Marianna & Federico Mejia
http://www.flamencoromantico.com/
E-mail: LaMarianna@aol.com